Story=In Nazi-occupied France during World War II, a plan to assassinate Nazi leaders by a group of Jewish U.S. soldiers coincides with a theatre owner's vengeful plans for the same / duration=153minute / directed by=Quentin Tarantino / / Diane Kruger / country=USA

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You never realize how big of a man Eli Roth is until this scene.

Christoph Waltz: Oscar and Penelope that's an uber bingo Javier Bardem: What's the most you ever lost on a coin toss. Bruh I actually get kinda sad when he says 'bravery. His voices makes me feel some sympathy for him. THIS IS HOW MY FATHER WAS IN WWTWO AND IAM JUST LIKE MY FATHER. MARINE. IWO JIMO. HENRY CLAYTON KELLEY. 4TH DIVISION.

May I call you Emmanuelle. Even this little piece of dialogue shows how truly multidismensional this scene is. Add the fact that he ordered milk for her, it shows us he knows perfectly well who she is. He is playing his ultimate dominance card by showing her that despite the fact, that he knows, he's not affraid of her in any way and in a sense she lives by his mercy. What an open-hearted and pure man. The first oscar winner in whose emotions I believe ! Just hear him and look at his trembling fingers 02:51. Love the Sally references. It was sad she passed.

Harvey Weinstein? insert RedLetterMedia slide whistle

Is Donny wearing gorgets taken from dead German soldiers around his next. And like the snows of yesteryear. gone from this Earth. Jolly good, sir. Classic. 3:21 GEH-SHTAPO lmao, love the way he says it. What is the deal with this movie? I was bored out of my skull during this movie. I don't know if I missed something, but I thought this movie was terrible. I would also like to mention that I watched this in my home on Movies on Demand. I saw it with my dad and friend, and we all basically wanted to turn it off. The only reason we watched the whole thing was that when I finally snapped and decided i was done watching, the piece of garbage was nearly over. I see that it's high on the list of best movies of all time for IMDb ratings. This really does baffle me. I was not intrigued with the plot at all. The parts that were meant to be funny did not translate for me. I really thought this movie was lame.

He won this Oscar for speaking German, English, French and Italian. Christoph Waltz really deserved an oscar. Bye Sally... Hey, thats Ryan from The Office. Probably most thought out movie of all time. Donnie Yeah Best lines ever. Ah, is there anything more British than standing in an oversized hall of some grand manor, sipping fine whiskey, while needlessly overcomplicating a simple conversation with unnecessary poetic phrasing. 1:21 to all antisemites.

Every second is pictured, acted and composed to perfection. 0:47 wtf is up with kate winslet.

The sudden music gets me chills every single time. Look at Raines tie at 1:32 Now look at it at 1:40. DAMMIT and thank you FilmIsNow Movie Bloopers & Extras for publishing this. 5010 thumbs up from me. Has anyone watched this movie since the last comment? i can't get over how brilliant this movie was. Though there are some flaws watching it now. but still soo great. Best scene out of any movie I have ever watched. One brave German dam. I've never watched any of his movies, like all the way through but I kind of seen kill bill when I was younger and Django but at the time I wasn't really invested in movies like I am now. I'm sure I've seen them when I was younger but in my opinion they're all just violent movies with a plot, some bad some good.

Searching in the comments who Sally is. Quentin Tarantino has a way with dialogue, and a way with plot. Along with that, he has a way with throwing too much plot into a movie, or too much dialogue into a film with not enough plot (like Death Proof. This film has quite a large amount of dialogue, and it also has many different story lines and characters, none of which are elaborated on until near the end, so it almost seems as though they've been abandoned. By the end of the movie, it's quite apparent that nothing has been abandoned and all these story lines have been calculated as to how to end them perfectly and how to connect everything. Tarantino knew what he was doing.
Like all of Tarantino's films, this one is split up into chapters. Unlike any of his other's, this one is almost completely chronological, aside from the infrequent flashbacks. One story revolves around the Inglorious Basterds, a group of Jewish-American soldiers led by Lt. Aldo Rein (Brad Pitt) and their Nazi scalping. Another story involves Shoshana (Melani Laurent) an escaped Jew who ran away from the evil "Jew Killer" Col. Hans Landa (Christoph Waltz) who is out for revenge. Perhaps she will get the revenge she wants when Landa is security at a movie premier at the theater she owns. And there's dozens of fairly main characters and actors along the way to go along with the main plots.
If this film could be compared to any other Tarantino film, it would have to be Reservoir Dogs. Not because of any plot similarities, or similar scenes, but this film is devoid of emotion. Tarantino has his more emotional films, like the second Kill Bill, or Jackie Brown, or even Pulp Fiction, but this isn't really one of them. With that said, this still has characters that are likable and that the audience cares about, this movie just overall isn't an overly emotional film. But that's not what it's about anyways, it's a war film.
The movie is rich in characters, and boy are there a lot of them with quite a bit of screen time. Brad Pitt is definitely the main character of the Americans, and he gives an over the top, often times comedic performance, but he plays a great contrast to the German's lead actor Christoph Waltz, who plays the sinister and evil Col. Hans Landa. Melanie Laurent plays a reserved (for the most part) but interesting role as the woman hell bent on revenge. Diane Kruger plays a rather minor, but interesting role as a German movie star who is actually a spy for the Americans. Every role played is played well, but unlike as it would seem by the trailers, all these actors aren't wrapped around Brad Pitt's finger, but instead Christoph Waltz's. He's the bad guy, and not just that, but he's also the smartest and most cunning of the characters. Really, this film revolves around him, and it works well that way, he's a great character.
My only major quibble with the film is it's set-up. The way the movie is set up, it's only loosely thrown together until everything at the end brings the stories together. So for the first hour and a half (or around there) this movie felt like a constantly changing anthology. Once chapter five binds it together and gives us a typical great Tarantino ending, it makes the movie whole. But the looseness of the film towards the middle brought up questions as to what the purpose of different characters were. Luckily, the answers are all in the last chapter.
Quentin Tarantino has yet again made another movie masterpiece. This one is one of leisure, but at the same time a constantly changing story. By the end, this film has delivered the goods. The rest of the film sets up what will happen with typical rich Tarantino dialogue, and some bloody violence. Definitely it's a unique take on World War II.
My rating. 1/2 out of. 154 mins. R for strong violence, language and brief sexuality.

Gotta give it to this Kraut, he died like a man. Hello, Sally.

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